Logan Webber is a native from Colorado Springs, Colorado. He has performed with The Colorado College Vocal Arts Symposium, Colorado Springs Fine Arts Center, Opera Theater of the Rockies, A.J. Fletcher Opera Institute, Piedmont Opera in North Carolina, Ash Lawn Opera, Chautauqua Opera, the Rural Artists Project in Alaska, and the American Institute of Musical Studies program in Graz, Austria. Mr. Webber has performed in many productions with the Maryland Opera Studio including Die Fledermaus, Love/Hate, Così fan tutte, and premiered the role of Justice Scalia in a new works reading of the opera Scalia/Ginsberg. In the Summer of 2016, he made his main stage debut at The Princeton Festival as Rector Horace Adams in Peter Grimes, and then performed the role of Spoletta in Piedmont Opera's Tosca the following Fall.
Fall 2017 highlights for Mr. Webber included BWV 80 with the Salisbury Symphony, Jonathan Dale in Piedmont Opera's production of Silent Night, and King Kaspar at the Smith Civic Center's production of Amahl and the Night Visitors in Lexington, North Carolina. He also sang in the 84th annual Mozart Club Messiah and Salisbury Symphony Messiah as the tenor soloist.
In 2018, Logan was one of two singers selected as a Young Artist at the Hawaii Opera Theater. He was featured in both Eugene Onegin and Daughter of the Regiment as well as the premier of Herb Mahelona’s oratorio, Kinohi. He finished his season with HOT singing the role of Dallas in the one act opera, Service Provider. In the summer he made his mainstage debut with Charlottesville Opera as Rapunzel's Prince.
"tenor Logan Webber was musically and dramatically ideal... Webber never confused naïveté with immaturity"
"Webber’s singing recalled that of Anthony Rolfe Johnson, the young tenor sharing his late counterpart’s faculty for projecting a warm, lyrical timbre with reserves of strength. Micah’s time on stage is brief, but Webber’s impact on this performance of Slow Dusk was lasting."
Joesph Newsome, VOIX DES ARTS
As a member of Virginia Opera’s 2018-2019 Herndon Foundation Emerging Artists Program, Logan covered Don Ottavio in Don Giovanni, sang Daniel Buchanan in Street Scene, and performed in the Spring Education and Outreach Tour. In the summer of 2019 Mr. Webber made his debut with the Richmond Symphony as Le Rememdado in Carmen alongside Denyce Graves, as well as Rinuccio in Gianni Schicchi with Opera Theater of the Rockies Vocal Arts Festival. He then returned to the UNC School of the Arts in 2019 as a Certificate Candidate performing the title role in La Clemenza di Tito in the Winter of 2020, and was also a featured soloist with Metropolitan Opera Soprano Jennifer Rowley and the Salisbury Symphony. In October 2020 Logan was fortunate to join Piedmont Opera once again to be a part of their first live-streamed opera Slow Dusk, portraying Micah.
Logan received his Bachelor's in Music from the University of the North Carolina School of the Arts where he was awarded a William R. Kenan Jr. Excellence Award from the William R. Kenan, Jr. Charitable Trust. At this institution Logan studied under the direction of Dr. Marilyn Taylor, Chair of the Voice Department. He received his M.M. In Opera Performance from the University of Maryland at College Park under the direction of Delores Ziegler. He will returned to UNCSA for the 2020/2021 season completing his Post-masters certificate, and is currently with Opera Orlando as a studio artist for their 2021/2022 season..
"a strong comedic actor in Logan Z. Webber, who makes a snappy appearance as Daniel Buchanan, lamenting in a Broadway-style number that pregnancy is harder on the husband than the wife."- Rebecca Evans, WHRO
“...other singers were audience favorites. Tenor Logan Webber as Jonathan, who had to leave his dying brother in no man's land, was frighteningly intense as he vowed vengeance- a heart breaking portrayal." - Roy C Dicks, American Record Guide
“a rich voice – powerful, yet tender and endearing.”
-Peter Perret, CVNC (Silent Night)
"The title role of Tito (...) was sung by the blond tenor Logan Webber, whose rich voice and rapid vibrato made his role as the "emperor who forgives" quite likeable. His last act aria ("Se all'impero Dei") was a brilliant coloratura work for tenor!"- Peter Perret CVNC (La Clemenza di Tito)
"Logan Webber soared as the rhapsodizing poet, arcing his lines beautifully with rich, full tenor resonance." (L'heure Espagnole, as Gonzalve)
Barry Salwen, CVNC
A Q&A with the Maryland Opera Studio
Interview with Jamie Allbritten at Piedmont Opera
"Whether intoning conversational recitative or careening fiorature, Webber allied handsome tones with unflagging commitment to animating Tito’s tribulations. The dramatic thrust of the Act Two trio with Sesto and Publio, ‘Quello di Tito è il volto,’ drew from him vocal acting of tremendous impact. " -Joseph Newsome, Voix des Arts
If you would like to support Logan, feel more than free to contribute below. If you would like to contribute in a different way, have a look at his photography profile on Adobe Stock or Shutterstock, and purchase whatever suits your fancy!
"Webber's soaring melodic lines illustrated his character well"
Chelsea Huber, CVNC (Slow Dusk)
Indiana’s best holiday tradition for families returns this December! We are thrilled to welcome the showstopping Emmy-nominated singer Frankie Moreno back to Hilbert Circle Theatre as our host for the Yuletide season, lighting up the stage with his piano and vocal talents. Frankie and the musicians of the ISO will perform new holiday music as well as beloved favorites,
Yuletide Celebration Schedule:
28 Performances, see ticket info for more information
AES Indiana Yuletide Celebration 2022!
ERCOLE SU'L TERMODONTE- Ercole- Pacific Opera Project
POP presents the U.S. premiere production of a rare Vivaldi opera based on the ninth Labor of Hercules, where Hercules is tasked with capturing the sword of Antiope, the queen of the Amazons. Recently rediscovered hiding in libraries in Münster, Paris, and Turino, Ercole su’l Termodonte is Vivaldi’s 16th opera, written in 1723 and premiered in Rome, during the Pope’s ban on women in opera. The original cast featured seven castrati (many en travesti) and one tenor. POP will employ a mix of countertenors, mezzos, tenors, and sopranos performing these roles with a period orchestra.
The Merry Widow Show Schedule:
Jan 6 - Jan 21 (8 Performances)