Logan Webber is a native from Colorado Springs, Colorado. He has performed with The Colorado College Vocal Arts Symposium, Colorado Springs Fine Arts Center, Opera Theater of the Rockies, A.J. Fletcher Opera Institute, Piedmont Opera in North Carolina, Ash Lawn Opera, Chautauqua Opera, the Rural Artists Project in Alaska, and the American Institute of Musical Studies program in Graz, Austria. Mr. Webber has performed in many productions with the Maryland Opera Studio including Die Fledermaus, Love/Hate, Così fan tutte, and premiered the role of Justice Scalia in a new works reading of the opera Scalia/Ginsberg. In the Summer of 2016, he made his main stage debut at The Princeton Festival as Rector Horace Adams in Peter Grimes, and then performed the role of Spoletta in Piedmont Opera's Tosca the following Fall.
Fall 2017 highlights for Mr. Webber included BWV 80 with the Salisbury Symphony, Jonathan Dale in Piedmont Opera's production of Silent Night, and King Kaspar at the Smith Civic Center's production of Amahl and the Night Visitors in Lexington, North Carolina. He also sang in the 84th annual Mozart Club Messiah and Salisbury Symphony Messiah as the tenor soloist.
In 2018, Logan was one of two singers selected as a Young Artist at the Hawaii Opera Theater. He was featured in both Eugene Onegin and Daughter of the Regiment as well as the premier of Herb Mahelona’s oratorio, Kinohi. He finished his season with HOT singing the role of Dallas in the one act opera, Service Provider. In the summer he made his mainstage debut with Charlottesville Opera as Rapunzel's Prince.
As a member of Virginia Opera’s 2018-2019 Herndon Foundation Emerging Artists Program, Logan covered Don Ottavio in Don Giovanni, sang Daniel Buchanan in Street Scene, and performed in the Spring Education and Outreach Tour. In the summer of 2019 Mr. Webber will be making his debut with the Richmond Symphony as Le Rememdado in Carmen. He will return to the UNC School of the Arts performing the title role in La Clemenza di Tito in the Winter of 2019, and will be performing Rinuccio in Gianni Schicchi with Opera Theater of the Rockies Vocal Arts Festival this summer.
Logan received his Bachelor's in Music from the University of the North Carolina School of the Arts where he was awarded a William R. Kenan Jr. Excellence Award from the William R. Kenan, Jr. Charitable Trust. At this institution Logan studied under the direction of Dr. Marilyn Taylor, Chair of the Voice Department. He received his M.M. In Opera Performance from the University of Maryland at College Park under the direction of Delores Ziegler. He will return to UNCSA this fall joining the A.J. Fletcher Opera Institute for the 2019/2020 season.
"a strong comedic actor in Logan Z. Webber, who makes a snappy appearance as Daniel Buchanan, lamenting in a Broadway-style number that pregnancy is harder on the husband than the wife."- Rebecca Evans, WHRO
“...other singers were audience favorites. Tenor Logan Webber as Jonathan, who had to leave his dying brother in no man's land, was frighteningly intense as he vowed vengeance- a heart breaking portrayal." - Roy C Dicks, American Record Guide
“a rich voice – powerful, yet tender and endearing.”
-Peter Perret, CVNC
Gianni Schicchi is a comic opera in one act by Giacomo Puccini to an Italian libretto by Giovacchino Forzano, composed in 1917–18. The libretto is based on an incident mentioned in Dante's Divine Comedy.
(Guest Artist- Vocal Arts Festival)
LA CLEMENZA DI TITO
La clemenza di Tito, K. 621, is an opera seria in two acts composed by Wolfgang Amadeus Mozart to an Italian libretto by Caterino Mazzolà, after Pietro Metastasio. It was started after the bulk of Die Zauberflöte, the last opera that Mozart worked on, was already written.
Thérèse Raquin is an opera in two acts composed by Tobias Picker to a libretto by Gene Scheer based on the novel Thérèse Raquin by Émile Zola. It is Picker's third opera, following Emmeline and Fantastic Mr. Fox and was commissioned by the Dallas Opera, San Diego Opera, and the Opéra de Montréal.
Carmen is an opera in four acts by French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on a novella of the same title by Prosper Mérimée.
Hailed by critics as the first truly “American Opera,” Street Scene mixed comedy, romance, and tragedy inside a single New York City tenement.
INTO THE WOODS
The modern classic, which weaves together the stories of several fairy tales, examining the consequences of characters’ wishes.
HOT invites you to a unique opportunity to ‘plug in’ to Christopher Weiss and John de los Santos’ new one-act opera called Service Provider! The 20-minute opera is about a couple who gets into a fight at a restaurant over being glued to their phones.